Joseph Haydn (1732-1809)
Surprisingly enough, Joseph Haydn composed only very little original music for wind band. There are a few military partitas (“Feldparthien”) from an early stage in his career and a few marches, written when in London in the 90s of the 18th Century.
Nevertheless, his music was very much used for Harmonie arrangements. Apart from his oratorios The Creation and The Seasons, that were transcribed by Georg Druschetzky many windversions of (movements from) his symphonies circulated. The following two were published in 1816 and 1810.
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| 2fl 2cl 2bn cbn 2hn tp trb | |||
| Mvmts | I. Adagio-vivace, II. Romance, III. Menuetto, IV Finale Presto |
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| Perf. Time | ca 22’
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| Level | moderate |
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| Description | the complete symphony in an attractive setting; the first clarinet plays an important role in this version and needs a seasoned player. |
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| Haydn, Joseph (1832-1809) | ||
| Symphony No 85 “La Reine” in B-flat (1785) arranged (ca 1800) by Charles Bochsa (ca 1760 -1821) |
F.E. 0312/22 score and parts |
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| 2fl 2cl 2bn cbn 2hn tp trb | € 70.- |
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| 2ob 2cl 2bn cbn 2hn tp | |||
| Mvmts | I. Adagio-Allegro spiritoso, II. Adagio cantabile, III. Menuetto,
IV. Finale Presto |
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| Perf. Time | ca 24’
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| Level | moderate |
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| Description | the complete symphony in an attractive setting |
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| Haydn, Joseph (1832-1809) | ||
| Symphony No 92 “Oxford” in G (1789) arranged (ca 1809) by Joseph Triebensee (1772-1846) |
F.E. 0201/00 score and parts |
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| 2ob 2cl 2bn cbn 2hn tp | € 70.- |
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